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Ruth Childs (born in 1984 in London) is a British-American dancer/performer/singer based in Geneva since 2003, when she arrived to dance with the Junior Ballet of Geneva for two years. Since 2005 she has been working with many different artists including Jean-Marc Heim, Foofwa d'Imobilité, Jozsef Trefeli, Massimo Furlan. Gilles Jobin, and La Ribot. Ruth is currently touring a revival of Mas Distinguidas (1997) a series from La Ribot's famous distinguished pieces.

In 2014 she started to develop her own work through performance, film and music and founds her company SCARLETT'S, and her band SCARLETT'S FALL with Stéphane Vecchione (scarlettsfall.com).

Alongside her own projects she is working on a series of revivals of her aunt, Lucinda Childs' early work from the 1960s and 70s. The first series of this project is on tour at the moment: Pastime (1963), Carnation (1964), Museum Piece (1965) and the second series Particular Reel/Calico Mingling/Reclining Rondo/Katema will premiere in the fall of 2017.



PARTICULAR REEL, CALICO MINGLING, RECLINIG RONDO, KATEMA Four pieces by Lucinda Childs re-created by Ruth Childs. Premiered 2nd to 4th of September at La Bâtie Festival de Genève.

Here is a new program of revivals with her aunt Lucinda Childs. The success and joy experienced while developing the first program based on Lucinda Childs' Judson Solos (Pastime 1963, Carnation 1964 and Museum Piece 1965) encouraged Ruth and Lucinda to continue their collaboration.

For this second series, Ruth is reviving 4 pieces by Lucinda Childs from the seventies: Particular Reel (1973), Calico Mingling (1973), Reclining Rondo (1975) and Katema (1978). These pieces were originally presented in "non-theatrical" spaces such as museums, public spaces, gymnasiums etc.

Here she is interested in delving into the essence of Lucinda Childs' choreographic work, which suddenly becomes very visible from 1973 on. During this period three things appear as fundamental elements in Lucinda's way of making dance: the use of a score, a trajectory in space and an imposed rhythm without using music. Somehow Ruth is looking to fill in the gap between Carnation (1964) and Dance (1979.)


The Goldfish and the Inner Tube (2018)
Ruth Childs/Stéphane Vecchione.
Premiered from April 11th to 15th 2018 at ADC, Genève.


Pastime / Carnation / Museum Piece creation 2016
Particular Reel / Calico / Mingling / Reclining Rondo / Katema creation 2017
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